The research reviews the study of anthropological motives in the Scammander group poetry works based on the example of its the most prominent representatives such as Julian Tuvim, Kazimierz Vezhinsky, Yan Lehon, Yaroslav Ivashkevych, Anthony Slonimsky. The attention is drawn to the common and distinctive anthropology features in the Polish lyrics of the first half of the twentieth century, in particular in a period of the interwar twenty years. An important factor in the study of this subject is the time space, since the views of the Scammander group have evolved significantly after the explosion of the Second World War, especially in emigration. Man and art is another important anthropological dimension of the Scammander lyrics. It logically follows from the previous one and reveals the level of relations of the individual and history and cultural heritage. The theme “man and nature” remains the final and unifying link of the examined anthropological material. In the lyrics of each representative of the Scamader group it has a greater or lesser degree of sounding. Particular attention is drawn to the poems of Kazimierz Vezhinsky since the issue of formation of man-geo-humanist has become a creative dominant in his works.
