трансформация

Евдокимова А.О. Трансформация лингвокультурного образа русской женщины в художественной литературе XX – начала XXI вв. (на примере рассказа А.П. Чехова «Попрыгунья», романа В.М. Шукшина «Любавины» и романа Е.Г. Водолазкина «Авиатор»)

В статье рассмотрена трансформация лингвокультурного образа русской женщины на примере нескольких художественных произведений русской литературы XX-XXI вв. Героини анализируются через используемую лексику, взгляд с точки зрения других персонажей и поведение, а также через второстепенные признаки, такие как цветопись, говорящие фамилии и имена и др. Исследование подводит к выводу о трансформации образа русской женщины в виде гармоничного слияния традиционных и приобретённых черт. Помимо этого, следует вывод о постепенном пересмотре стереотипного образа русской женщины и её изображения в литературе.

Arifin, Bafadal I., Imron A., Sonhadji A. Cultivating character education through transforming school cultural values

This article discusses the transformation of school cultural values in character education. This study aimed to outline the importance regarding the transformation of school cultural values in the management of: a) curriculum and learning, b) students, c) teachers and school practitioners to realize the character education. This study was a qualitative study which employed a case study design. The participants of this study were the principals, teachers, practitioners, and students of Senior High School in Gorontalo Province of Indonesia. The results of the analysis revealed that the habituation of cultural values such as religious values, honesty, togetherness, modesty, and discipline which have formed a systematic and persistent integration with the management of curriculum, of students, of teachers and practitioners, can accomplish the goals of character education that is creating a generation that is emotionally, socially, and spiritually intelligent.

Balalaieva O.Y., Vakulyk I.I. Perception of ancient motifs in the works of Ukrainian neoclassicists

The article analyses the specifics of the perception of ancient motifs and images in the literary heritage of Ukrainian neoclassicists of the early 20th century, M. Zerov and M. Rylsky in particular. The poetry of Neo-Classicism representatives is considered in cultural and literary aspects. The article proves that in spite of the common for neoclassicists attraction to kalokagathia as an aesthetic ideal of an ancient culture, which included the harmony of senses of a rational sphere, physical and spiritual roots, high culture of thinking and the discipline of poetic speech, the aesthetic platform of Zerov and Rylsky does not come down to the principles of “pure classicism”, the interpretation of classical forms and principles as universal and unchanging norms.